He claims he lives for his dog and it is not exactly thriving in the city. The ability to move to the country is yet another option that is not available to him. a gif trip through cinematic finality. His landlady (Lina Gennari) is evicting him, and his only true friends, the housemaid (Maria-Pia Casilio) and his dog Flike (called 'Flag' in some subtitled versions of the film) are of no help. You need to have the money for a down payment on the place where you’re going to live, or the money to rent temporary lodging while you LOOK for a place to live. His room has been taken over by the landlady and the now-homeless Unberto determines to find a place for his beloved dog, and then kill himself. He returns to his room, and finds that his landlady has rented it out for an hour to an amorous couple. New York Film Critics Circle Award for Best Foreign Film, https://en.wikipedia.org/w/index.php?title=Umberto_D.&oldid=967832768, Creative Commons Attribution-ShareAlike License, Ileana Simova as the woman in Umberto's room, Memmo Carotenuto as a patient at the hospital, Alberto Albari Barbieri as Antonia's friend, Vittorio De Sica was nominated for the Grand Prix –, This page was last edited on 15 July 2020, at 15:51. He is too proud to beg in the streets and can not get a loan from any of his acquaintances.
Also, places in the country may not have services that cities can provide. Unsuccessful, he resolves that his dog must die with him and he stands in the path of a train, with his dog in his arms.

You also need to hire the people who are going to move your things for you, or pay to have those things shipped. Most of the actors were non-professional, including Carlo Battisti who plays the title role of Umberto Domenico Ferrari, a poor elderly man in Rome who is desperately trying to keep his rented room. Under those circumstances, the desperate for cash lonely pensioner fights a losing battle to come by with the fifteen thousand lire to pay off his greedy and ruthless landlady, balancing between dignity and shame in the bustling streets of Rome. When Umberto's landlady Antonia demands the rent owed her and threatens eviction if she is not paid, Umberto tries desperately to raise the money by selling his books and watch. Unable to bring himself to beg from strangers on the street, Umberto contemplates suicide, but knows he must first see that Flike is taken care of. His pension is a pittance – in fact, we meet him first during a street demonstration of other pensioners, demanding a raise in their rates. Here is the thing: why does Umberto want to stay put in a place he cannot afford, with people he does not like and which is not good for his dog? My claim is that he does have options but is stuck because of stupid pride. He sells a watch and some books, but only raises a third of the amount. “He lives in Italy. That makes him for me an unlikable character. How likely is it that such a kitchen would be available in a smaller town? Even the villages are more interesting than the average town anywhere else.”.

What bothered me a little, however, was that the ending somehow seems a bit too unfinished. At first Flike warily hides, but eventually Umberto coaxes Flike out to play with a pine cone. Umberto's lone friend is Maria, servant of the boarding house. ( Log Out /  | played by non-professionals who embodied their characters. Battisti was actually a retired professor of linguistics, and this was his only acting role. If you are struggling to make ends meet then you may not have the lump sum on hand that you’d need to move. ( Log Out /  Umberto Domenico Ferrari, an elderly and retired civil servant, is desperately trying to maintain a decent standard of living on a rapidly dwindling state pension.
( Log Out /  There is literally nothing that ties him to stay in the city except his own pride. It appeared he did have friends in the city – remember those he greeted in the street throughout the film?

bobbygio liked this . It was probably meant to be a kind of “they still have each other and they’re facing the world together” ending, but that follows a particularly dramatic few moments (yes, I’m being deliberately vague), and I wasn’t really satisfied. Police disperse an organized street demonstration of elderly men demanding a raise in their meager pensions. The End of the Film. De Sica said that the film was quite unpopular in Italy because it was in a period after WWII when the country was just getting back on its feet. The Italian neorealist film, Umberto D. (Dear Films, 1952), directed by Vittorio De Sica, focuses on the life of an elderly man named Umberto Domenico Ferrari, played by Carlo Battisti. The police dispense the crowd and Umberto returns to his cheap furnished room which he shares with his dog Flick. Also, hey, he lives in Italy. way to manufacture a happy ending, but good fortune will not fall from the sky But the old man at the centre of De Sica's famous film from the heyday of Italian neo-realism hasn't got much to be happy about, stripped bare as he is of all money and all friends except a little fox terrier.

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