D. Plamenac. Ockeghem was the first composer to write canons using the intervals of the second, third, sixth, and seventh, the "imperfect" intervals, and the Missa prolationum may have been the first work to employ them. The earliest document concerning his activity places him among the more than 50 singers in the choir of the Church of Our Lady in Antwerp in 1443/1444. Although his works are now seen in a more accurate light, Ockeghem's reputation was formerly based on the knowledge of only a few, atypical works which emphasized complex compositional procedures. Studies in Medieval and Renaissance Music. Johannes Ockeghem (c. 1410, Saint-Ghislain, Belgium – 6 February 1497, Tours, France) … He was not required to reside there, possibly because of the desire for his musical services at court. Exactly when he wrote the Missa prolationum is not known, and there is no evidence to allow its dating other than what can be inferred from its internal characteristics, or from a comparison with other works of Ockeghem which already have tentative dates (Ockeghem's output is notoriously resistant to precise dating, even for a composer of the Renaissance; not only did he have an unusually long career, possibly spanning sixty active years as a composer, but there are few records tying specific pieces to events).

A thorough discussion of Ockeghem's life, works, and times is found in Gustave Reese, Music in the Renaissance (1954; rev. People will see it as Author Name with your public flash cards. Not much has been documented about Ockeghem’s childhood, except that his musical life began as a chorister. Johannes Ockeghem (born Saint-Ghislain, near Mons, Belgium about 1410; died Tours, France, 6 February 1497), was the most famous composer of the Franco-Flemish School (from around the area which is now Belgium) in the last half of the 15th century, and is often thought of as the most important composer between Dufay and Josquin des Prez. The other one is the Vienna manuscript (Wien, Österreichische Nationalbibliothek, Handschriftensammlung, MS 11883, f.208r to 221r). The four voices each sing in a different mensuration, so rendered in modern music notation, the four voices in the Kyrie II sing respectively in the meters 2/2, 3/2, 9/4, and 6/4, with the voices singing canon 1 in 2/2 and 3/2 (the voice in 3/2 sings the tune half again as slowly, so the voices pull apart gradually), and the voices singing canon 2 in 9/4 and 6/4, again with the voice in 9/4 singing half again as slowly, pulling away from the 6/4 voice. He also had other jobs in Paris. L. Macy (Accessed July 31, 2007). The earliest composers to complete cycles of all five movements of the Mass Ordinary, unified around a voice (usually the tenor) singing "L'homme armé" as cantus … Many younger composers used some of Ockeghem’s melodies as a base for their own compositions. In 1448 Ockeghem appeared on the list of 13 singers employed by Charles, Duke of Bourbon, then residing in Moulin. His native language was probably French. By this time he was well known as a singer and composer. He became treasurer of the Abbey of St. Martin of Tours, one of the richest abbeys of the time, whose abbots had historically been the kings of France. L. Macy (Accessed July 31, 2007). Ockeghem was one of the most respected composers of the 15th century and one of the most influential of the early Renaissance. Credo 4. The name Ockeghem is found with many different spellings in old documents.

Copyright 2010 The Gale Group, Inc. All rights reserved. https://wiki.kidzsearch.com/w/index.php?title=Johannes_Ockeghem&oldid=4224796. One is the Chigi Codex (f.106v to 114r), which was copied for Philip I of Castile sometime between 1498 and 1503, shortly after Ockeghem's death. Encyclopedia of World Biography. Sanctus and Benedictus 5. 1425-1495) was a Netherlandish composer who spent most of his creative life at the French court. Bach used canon in the canonic movements of the Goldberg Variations more than two centuries later. Privacy Policy.

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