[52] They include paintings after some of Bruegel's drawn print designs, especially Spring. Bruegel.

Bruegel only etched one plate himself, The Rabbit Hunt, but designed some forty prints, both engravings and etchings, mostly for the Cock publishing house. In his book American Barricade, Danniel Schoonebeek references several Brueghel paintings in his poem "Poem for a Seven-Hour Flight", notably in the lines: "I am the hounds in Brueghel / do you know the hounds // here is the single fox I have killed will you wear it around your shoulders are you ashamed.". Traditional Flemish luxury books of hours (e.g., the Très Riches Heures du Duc de Berry;[30] 1416) had calendar pages that included the Labours of the Months, depictions set in landscapes of the agricultural tasks, weather, and social life typical for that month. [12], In 1563 he married Pieter Coecke van Aelst's daughter Mayken Coecke in Brussels, where he lived for the remainder of his short life. [48] Granvelle's nephew and heir was strong-armed out of his Bruegels by Rudolf II, the very acquisitive Austrian Habsburg Emperor. For example, his famous painting Netherlandish Proverbs, originally The Blue Cloak, illustrates dozens of then-contemporary aphorisms, many of which still are in use in current Flemish, French, English and Dutch. He was an important figure in the transition to the Baroque style in Flemish Baroque painting and Dutch Golden Age painting in a number of its genres. On view at the Kunsthistorisches Museum Vienna, Austria, from October 2, 2018 until January 13, 2019, Bruegel: The Hand of the Master includes some 40 paintings, including the Seasons series, plus 60 drawings and 80 prints, uniting Bruegel’s works across all media in a single exhibition for the first time. Author Don Delillo references Bruegel's painting The Triumph of Death in his novel Underworld and his short story "Pafko at the Wall". Bruegel may have felt safer with a secular commission so as to not offend Calvinist or Catholic. The banker Nicolaes Jonghelinck owned sixteen paintings; his brother Jacques Jonghelinck was a gentleman-sculptor and medallist, who also had significant business interests. It complements the engraving of Spring (1570), the only other in the series to have been completed after Bruegel's design. However, this reversal can be taken to excess; although Bruegel moved in highly educated humanist circles, it seems "he had not mastered Latin", and had others add the Latin captions in some of his drawings. [61] David Jones references the painting The Blind Leading the Blind in his World War One prose-poem In Parenthesis: "the stumbling dark of the blind, that Breughel knew about - ditch circumscribed".

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