2001: A Space Odyssey is a stand-along monument, a great visionary leap, unsurpassed in its vision of man and the universe. For over 100 years, there have been movies and paid movie reviewers, better known as film critics. Antonioni’s L’Avventura has the kind of plotline that gives arthouse cinema a bad name, but somehow a lacklustre search for a young woman who’s gone missing on a small volcanic island becomes an existential investigation of the human condition. All celluloid life is present in Citizen Kane; seeing it for the first or umpteenth time remains a revelation. Few works have gathered so many elements that would come to transform film narration as Breathless. Dwight MacDonald was one of the great ists.

For the answer, Stacker went to. Singin’ in the Rain is an all-singing all-dancing course on the dawn of talking pictures, bursting with Roaring Twenties-inspired gags. He started the conversation which lead to two of the big theories of film: auteur theory and realism. I am sure than Eisenstein's "The Battleship Potemkin" is a great film, but it's not going on my list simply so I can impress people. It is the pinnacle of something, and is so beautifully inspired by classical Greco-German-Roman culture.

But the decision to crown Lynch's woozy, self-referential thriller is far from unanimous. Even without Marlon Brando. In the Mood for Love is built on rapture, ecstasy, and the suffering it entails – on wheels.

The post-God world the visionary chronicler of the alienated and the disaffected valiantly confronts in L’avventura speaks of truths filmmakers have tended to ignore ever since. The grand summation of Ingmar Bergman’s career, this epic family drama drew on the director’s own childhood experiences in early 20th century Sweden.

Did it sense that change was around the corner – that now was the time to fill up on fantasy, delirium and spectacle before talking actors wrenched the artform closer to reality?

Rashomon shows us impossibility of understanding the world and the inability of discovering the truth – those are, at first sight, European existential values, but they were brought to cinema by its Eastern film director.
Movies should seek “the idea in the visual world of action and movement, which is the more suitable, and so more emotionally vital, manner for the movies.”. ☞ How we made the Greatest Films of All Time poll ☞ See all our coverage of this poll ☞ See our annual best-films lists and more surveys. Michelangelo Antonioni, France/Italy 1962. Wilder’s farce educated me and my generation about the strange nuances of adult sexuality and provided the sex craze of my youth, Marilyn Monroe, with her most iconic role. Much like his predecessors, Farber held in high regard Griffith, Chaplin, and the remainder of the silent film canon. The first part of Satyajit Ray’s acclaimed Apu Trilogy is a lyrical, closely observed story of a peasant family in 1920s rural India. A decade after Red River (1947), Howard Hawks reteamed with John Wayne for this rambling western riffing on the director’s usual themes of friendship and professionalism. In precise detail Akerman observes the daily routines of a single mother in her apartment and the consequences that transpire when things begin to unravel.

As self-ran blogs and online message boards continue to dominate pop culture conversations, one old adage seems more apt than ever: Everyone's a critic. Furthermore, there have been periods of history during which the exchange of ideas between critics and artists have spawned new conventions or artistic movements. Nevertheless, it is interesting to see which movies have received solid critical acclaim. In war-torn 16th-century Japan, two men leave their wives to seek wealth and glory in Kenji Mizoguchi’s tragic supernatural classic. Actor Charles Laughton’s only film as a director is a complete one-off, a terrifying parable of the corruption of innocence featuring a career-best performance from Robert Mitchum.
John Ford created perhaps the greatest of all westerns with this tale of a Civil War veteran doggedly hunting the Comanche who have kidnapped his niece. At the height of his talents, “Macdonald made modern American English seem like the ideal prose medium.” He wrote transparently and with wit. In the aftermath of the Spanish Civil War, two small sisters live in a remote village in Castille. An American abroad in post-war Vienna pursues his missing friend down a rabbit hole of intrigue and moral corruption in Carol Reed’s masterpiece of European noir. Simply remarkable. See all 19 votes for The Colour of Pomegranates.

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